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W ha t a re e xa m ple s o f im agery a nd fig ure s o f s p eech in C ath y S ong 's " T he W hite P orc h". Im agery is th e u se o f th e fiv e s e nse s to d escrib e a nd r e cre ate th e a ctu a l s e nso ry e xp erie nce o f th e m om ent its e lf . T he re is a lo t o f im agery in th e p oem -to o m uch to a ctu a lly g iv e a ll o f th e e xa m ple s, b ut h e re a re a fe w : " b lu e to w el" " d am p w eig ht o f ha ir " " d rip pin g w ate r"...

W ha t a re s o m e e xa m ple s o f fig ure s o f s p eech in a Gre at E xp ecta tio ns ? T his b ook, li k e a ll D ic ke ns b ooks, is fu ll o f fig ure s o f s p eech. T he re is o ne in th e v e ry b egin nin g o f th e b ook: “I g iv e P ir rip a s m y fa th e r's fa m ily n a m e, o n th e a uth o rity o f h is to m bsto ne .” ( c ha pte r 1 ) B y s a yin g “ o n th e a uth o rity o f h is to m bsto ne ” P ip m eans th a t... S olu tio n T his b o...

W ha t a re th e e xa m ple s o f E li z a beth a n ty p e o f w om en in S ha ke sp eare ? I u nd ers ta nd w ha t is m eant b y " E li z a beth a n w om an", b ut w hic h o f th e S ha ke sp ear's fe m ale c ha ra cte rs fit b est in to th a t c o ce pt? T he E li z a beth a n w om an w as m uch le ss o f a p re se nce b oth in a m arra ig e a nd in s o cie ty th a n to day's w om en. S he w as g ene ra lly s ub se rv ie nt fir s t to h e r fa th e r a nd b ro th e rs...

W ha t is a n e xa m ple o f d ua li s m in Fahre nheit 4 51 ? The m ajo r th e m e o f F ahre nhe it 4 51 is th e id ea th a t p eople c a n b e co ntr o lle d th ro ug h a n um ber o f w ays , b ut th e m ost e ffe ctiv e o ne is to c o ntr o l w ha t th e y r e ad, s e e, o r le arn . T he s o cie ty in F ahre nhe it 4 51 is a p erfe ct e xa m ple o f th is c o nce pt. T he y g o to g re at le ng th s to m ake s ure th a t th e re is n e ve r a ny li te ra tu re t...

W ha t a re e xa m ple s o f c o ura ge, h um an w eakne ss, h um anity , o r in sig ht d urin g th e tim e p erio d o f th e h o lo ca ust in th e p la y T he D ia ry o f A nne F ra nk ? T he F ra nk fa m ily , s p ecific a lly A nne 's p are nts , e xe m pli fie d c o ura ge a nd h um anity th ro ug ho ut th e ir e ntir e o rd eal a s d escrib ed in A nne 's d ia ry . F or o ne th in g , A nne 's p are nts c o uld h a ve s im ply ta ke n th e ir d aug hte rs a nd g o...

W ha t a re e xa m ple s o f c o nso na nce a nd a sso na nce in li n e s 1 a nd 2 o f " D o N ot G o G entle in to T ha t G ood N ig ht" ? C onso na nce o ccurs in p oetr y w he n th e p oet u se s th e s a m e c o nso na nt s o und r e peate dly , o fte n o n s tr e sse d s ylla ble s a nd a t w ord e nd s. In li n e o ne , D yla n T ho m as u se s a r e peate d " t" s o und in n o t , g en t le , in t o, th a t , a nd n ig h t . T he e ffe ct... S olu tio n C onso ...

W ha t is a n e xa m ple o f c o nfli c t in Tre asu re Is la nd a lo ng th e li n e s o f m an v e rs us m an? T he c o nfli c t th a t p ro pels th e a ctio n in S te ve nso n's Tre asu re Is la nd is th a t o f m an v e rs us m an ( a ls o s ta te d a s m an a gain st m an). T his is e sta bli s he d fr o m th e o penin g in cid ents a nd c a rrie s r ig ht o n th ro ug h th e s to ry a s J im n a rra te s it. W he n th e se afa rin g C apta in B ill fir s t c o...

W ha t a re e xa m ple s o f a lle gory s p ecific to th e c ha ra cte r N apole on in Anim al F arm ? N apole on is b ase d o n J o se f S ta li n , w ho to ok o ve r th e C om munis t P arty a nd r u le d a s a n a bso lu te d ic ta to r fo r s e ve ra l d eca des. L ik e S no w ball to N apole on, S ta li n a ls o h a d a r iv a l fo r p ow er in th e fo rm o f T ro ts ky, a n in d iv id ua l, li k e S no w ball, m ore in te lle ctu a l a nd p ro bably s m arte r ...

W ha t is a n e xa m ple o f c o nfli c t in " T he R ed-H eaded L eague " by S ir A rth ur C ona n D oyle ? T he c e ntr a l c o nfli c t in S ir A rth ur C ona n D oyle 's s to ry " T he R ed-H eaded L eague " is b etw een J o hn C la y a nd th e d ete ctiv e S he rlo ck H olm es. C la y w ants to g et a w ay w ith r o bbin g a b ank u nd is co ve re d a nd H olm es w ants to s o lv e th e m ys te ry o f w ho ro bbed th e b ank, w hic h w ould c a use h im ... ...

W ha t e xa ctly w as T ho m as C . W olf e 's fa m ous q uo te in " L ook H om ew ard , A ng el" a bout g oin g h o m e a gain ? Y ou C an't G o H om e A gain is th e n a m e o f a n o ve l b y T ho m as W olf e . T his h a s a lw ays r e m in d ed m e o f a s a yin g fr o m H era cli tu s: " It is im possib le to s te p in to th e s a m e r iv e r tw ic e ." W he n y o u s te p in to a r iv e r th e s e co nd tim e, it is n o t th e s a m e riv e r. T he ... S ol...